"Analogous to a Synthetic Geology"
for Three Voices
(each with Altitonant Devices hung above the performers and manipulated by a controller).
Bil Smith Composer. (2014).
Performance and composition made possible by the kind support of Blaupunkt GmbH.
If what I write sometimes is too much to
absorb, which I have been challenged about in my writing, let's think about
breaking this down.
Let's focus on one point here..."truth value".
Where is our 'station' when we create music?
Must it be relevant?
What defines our ability or inability to induce new syntactic
musical messages?
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