"Sound Morphology" (Bil Smith Composer)

  Ask a working musician what makes notation good and you will hear some version of the same answer. It should be legible. It should communi...

  THE AMAZON CANNOT FLOW THROUGH A BATHTUB Sorabji's Third Organ Symphony and the Theology of Excess There is a particular kind of silen...

CLARION #59 (59/59) for C Trumpet A Discussion, Discourse and Performance Guidance Link:  PDF File, 20 pages https://drive.google.com/file/d...

The VIOLIN OCTET is a 20th Century development of a consort of eight finely matched instruments in a series of sizes and tunings to cover...

Duration, Density, and Decision: The Core Parameters of Boucourechliev’s Compositional Aesthetic André Boucourechliev’s music is often descr...

Aldo Clementi: The Machinery of Disappearance There are composers who build music in order to make something appear, and then there is Aldo ...