"Fortuitous Situations" for Soprano. The Score.

"Sparc". A Trumpet Fanfare.

"Sparc".  

A Trumpet Fanfare.

Bil Smith Composer

Commissioned For The Opening of 56 Leonard St.

A Herzog & de Meuron Project

New Tablature for Upcoming Commission for Solo Guitar.

 

"Bly & Rooseman At Large" For Piano

"Bly & Rooseman At Large"

For Piano

Bil Smith Composer

Published by LNM Editions

Link To PDF Score

https://drive.google.com/file/d/1ko18q1oE381i60oCTyv3HYU1i7bF5aa6/view?usp=sharing

 

Proof Against Infamy's Infections. The Score (PDF)

Proof Against Infamy's Infections

For Flute, Oboe and Bass Clarinet

The Score (PDF)

https://drive.google.com/file/d/0B5lqYq0XwE76LXhxcW42czRSM0k/view?usp=sharing

Bil Smith Composer

A Commission from Kao

"Truance". For Oboe. The Score (PDF)

"Truance"

For Oboe

Bil Smith Composer

https://drive.google.com/file/d/0B5lqYq0XwE76cHl6a1ZZNWs1MFk/view?usp=sharing

The Score (PDF)

Toppled With A Great Wheeze and Crash (Nominus Variation)

Link To PDF:

https://drive.google.com/file/d/1-8332bzwUItqRWuJ9waOwx3RSY8NGU9r/view?usp=sharing

The Computational Tablature. The Numerics Archetype

The purpose of this compositional archetype is to create a contextualized system of numerical nomenclature for category driven, modified cellos.

These systems, or ‘archetypes’ will incorporate the primary arithoretic, descriptors, variants, identifiers and sub-numeric elements of the numerical concept nomenclature.

Intra-category, many of the descriptor numeric candidates may be interchangeable with others.

"Routine". For Soprano Saxophone

New Tablature for Upcoming Work for Solo Voice (2023)

 

"Y Combinator" For Solo Viola

"Whose Domain We Now Passed, Was Off Limits To Civilians" for Guitar

"Whose Domain We Now Passed, Was Off Limits To Civilians" 

for Guitar

Link To Hi-Res PDF

https://drive.google.com/file/d/1lR268wyE9rmWblO6L_HR8ndq6jewCweA/view?usp=sharing

"Promises Paid In Currency of Desire" for Accordion

 

"Promises Paid In Currency of Desire"

For Accordion

Bil Smith Composer

Link To Hi-Res PDF

Score:  16" X 6"

https://drive.google.com/file/d/1tg5VlhcgcfjcMc-r3Kvk6Hsx4sSOru8M/view?usp=sharing

"Code Blue Tryst" for Bass Trumpet

"Code Blue Tryst" 

for Bass Trumpet

Link To PDF Score

https://drive.google.com/file/d/177tzqryvRCo_zLL-E__Uj6n1MyfFG1Db/view?usp=sharing

Recording: "Neural Intervals And Barium Infused Automatons" Bil Smith Composer

 "Neural Intervals And Barium Infused Automatons"

Composition for Cello, Chamber Ensemble, Inverted Equilibrium Sonic Pendulum, Exocyclic Trumpet in B flat, Schilke b3l Tunable Beryllium Bell Trumpet, Elliot Easton SG Custom OHSC Electric Guitar, Zildjian 22″ C2 Gong / Cymbal, LP Galaxy Giovanni Tumbadora, Retrosium Flute and ROLI Seaboard Grand.

From the performance notes/depiction of the Inverted Equilibrium Sonic Pendulum and the Cello:

We have executed a control method for maintaining an inverted pendulum in the unstable equilibrium position. This application is a classic lesson in control science, frequently utilized in ballistic guidance. In the case of the Cello, the proportional-integral-derivative (PID) method was implemented in LabWindows and intendulum with test mass. Once optimal parameters for the algorithm were established, trials were conducted in which individual gain constants were varied while controlling string and bow pressure to observe changes in instrument behavior.

When applying bow pressure, vector fields can have several special points: a stable point, called a sink, that attracts in all directions (forcing the concentrations to be at a certain value), an unstable point, either a source or a saddle point which repels (forcing the concentrations to change away from a certain value), and a limit cycle, a closed trajectory towards which several trajectories spiral towards (making the concentrations oscillate).

On SoundCloud:

https://soundcloud.com/bil-smith/neural-intervals-and-barium-infused-automatons