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In “Infinite Jester,” through an entirely intuitive process, I test the particular sequence and rhythms of various notational mediums harnessing the emerging visual forces within my prescribed framework. You will observe that the notational representation neither congeals in clusters or breaks out in a tumultuous manner. The result is a closely woven tablature that opens up a sense of depth; yet it is an unstable arena, where the more the performer looks through the composition, the more the visual rhythms shift before the eye.
The syncopated changes subvert what would otherwise be a rigid structural order, generating the sense of disturbed equilibrium that forms the essence of the work.
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