"Visumetricity" for Boxwood Clarinet in A

 

"Visumetricity" 

for Boxwood Clarinet in A

Bil Smith Composer

"Visumetricity for Boxwood Clarinet in A," a composition in which traditional notational conventions converge with a maximalist topographic syntacticon, inviting a nuanced exploration of structure and form.

At its essence, "Visumetricity" embodies the fusion of traditional notational elements with a maximalist topographic syntacticon, a term that encapsulates the intricate network of symbols and gestures woven into the fabric of the score.

Central to the notational structure of "Visumetricity" is the notion of continuity within categorical segmentation. Here, notational motifs unfold in a continuous stream, yet are discreetly categorized and delineated within the score. This duality of continuity and segmentation imbues the score with a sense of fluidity and coherence, while simultaneously challenging performers to navigate the score, facilitating both code breaking and performative inference.