"Tempo Giusto". Eduardo Moguillansky. Recapitulated by Bil Smith

"Tempo Giusto"

Eduardo Moguillansky

Recapitulated by Bil Smith

For Oboe, Bass Flute & Bassoon

“Kitchens Once Red With Lamb And Trampled Vintage”

"Fadea"

"Pervasive Alignment of Steel Brush Shredding". The Recording

"Pervasive Alignment of Steel Brush Shredding"

For Ensemble and Three Pianos. 

Bil Smith Composer

2014-2015. World Premiere January 15, 2015. 

Daisetsu Ensemble.

LISTEN on SoundCloud:

https://soundcloud.com/bil-smith/pervasive-alignment-of-steel-brush-shredding

"That Human Bulk". For Ensemble

"South of the Central Lagoon Which Contained The Planetarium" The Recording on SoundCloud.

"South of the Central Lagoon Which Contained The Planetarium"   

for Strings, Chamber Orchestra, Piano and Electronics.

Bil Smith Composer

ON SOUNDCLOUD:

https://soundcloud.com/bil-smith/south-of-the-central-lagoon 

All anthropic music is numerically imprecise, often by an order of magnitude or more.

Non­decisional immanence, which allows itself to be posited as already given without decisional positing, is an immanence that does not even need to be liberated from decisional transcendence: it is precisely as that which is already separated (without­ separation) from the decisional co­-constitution of given and givenness,  immanence  and  transcendence,  that it conditions its own positing as already given.

Don't be elitists.

Métropolis, April 6.  Montreal.  "Into The Room" with J.J.

...and who says we can not meld contemporary complexist music with pop.

We've done Miami and New York.  

It works.

Don't be elitists.

Embrace the {perceived...mainly academic induced} difference.

On Soundcloud:

https://soundcloud.com/bil-smith/into-the-room-bang-bang