The score for "Galador" presents a fusion of conceptual schemata, evoking geometrical figures, numbers, and cryptic notations reminiscent of an artist's notebook. This collage of symbols, akin to Boldano's fragmented narratives, invites the viewer—or in this case, the pianist—to navigate a complex web of meanings and associations.
The paradox within "Galador" lies in its simultaneous embrace of contemporary epistemology and the retention of the values of pictorial sensibility. It pushes the boundaries of artistic expression, embracing both the intellectual and the sensual aspects of compositional interpretation. The score employs diagrams, modular structures, and serial arrangements, alluding to the universals of mathematics and linguistics. These elements serve as a testament to the ever-evolving nature of composition's ability to adapt to new forms of expression.
The use of graphic elements mirrors the calligraphic tradition of Twombly's painting, imbuing the composition with an expressive, gestural quality. It is as if the score becomes a canvas upon which the composer's emotions and interpretations are painted.
The exploration of graffiti-like symbols and abstract forms within "Galador" harks back to a fascination with the mundane and the everyday. Like graffiti scrawled in unexpected places, these symbols in the score provide sociological referents, inviting the pianist to contemplate their meaning and significance within the context of the composition.
The rejection of Surrealist automatism in the later stages of "Galador" parallels the shift from superimposed layers of graffiti to recognizable clues and regressive imagery reflects a desire to engage with the performer on a more visceral level.
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