Sunday, March 12, 2017

"Does Their Determining Factor Reside In Their Prior Inscriptibility Or In Their Inscription?" The Recording


"Does Their Determining Factor Reside In Their Prior Inscriptibility Or In Their Inscription?" 

Bil Smith Composer (2011+)

Upcoming on the "Sound Morphology" blog I will explain the intent of the various terminology associated with the traditional instrumentation listed below.

In this work, I propose a new way of apprehending the radical formalism of unplayable compositions and seek to unveil the politics of the score.  

In doing so, I attempt to expose the mechanics and radical formalism as a practice that moves beyond aesthetic considerations into the realms of ideology and materiality.

For Chamber Orchestra, Allele Adsorbtion (Viola), Inverted Cryoacceleration Plasmotransmutation (French Horn), Polonium Oscillation (Oboe), Titanium Technoionization (Tuba), Unlimited Crystosolution (English Horn), Xenon Aquasaturation (Alto Flute), Revised Albedo Solution (Trombone/Bass Trombone), Rotating Buffer Configuration (B Flat Clarinet), Cytoaccretion ( Bell Tower), Delta Wave Hypnooxidation (Timpani), Fractional Hydrocarbon Osmosis (Accordion), and Irradiated Autosplicing (Guitar)

Listen To The Recording on SoundCloud:



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