The Notation as Kinetic Cinematograph
This score, titled via a vertical golden banner as LIMOLLELEOPELLI, embodies the confluence of kinetic energy, choreographic fragmentation, and the industrial topology of the notational machine. It is at once a mechanical scroll, an exploded diagram, and a trans-musical fiction—a proto-instrumental architecture rendered as a surrealistic map.
At its core, this work is neither traditionally musical nor purely graphic—it is a performative prosthesis, bridging auditory experience with biomechanical form. It invites the performer not to interpret, but to engineer presence, to activate a serialized cinematic body.
More to come...
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