Around the principal field of the page of this score, metallic meshes and fragments of engineered matter appear. They are satellites of the score, covert confirmations that sound today is built with the same intelligence that builds machines. But the machine here is deconstructed. The foil, the honeycomb, the mesh pass from use to sign and from sign to use again.
Arte povera taught us to displace the material without erasing its memory. This page extends that lesson to notation itself: the tool of control is re-employed as a terrain of contingency.
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