Sunday, July 26, 2015

Who Put The 'Fer' in Ferneyhough?


Perspectivisation Modeling and Ferneyhoughism: The Nash Equilibrium

Emotive Theory.

The main philosophical questions posed by compositional metaphor are the following:

How is “compositional metaphorical meaning,” broadly construed?

By what mechanism is such meaning conveyed?

How do hearers/listeners/aural repositories/suck up listeners grasp the meaning, given that what they hear is only a musical whose literal meaning is something different?

The Subplexivists (Dick Barrett, Richie Barrett, 'Rikki Don't Lose That Number Barrett) offered a single brutal answer to each of those questions:  There is no such thing as “metaphorical meaning” if by “meaning” one means 'Vanity' or even unintentional meaning; there is only emotive or affective significance.

Nor is there any “mechanism” by which metaphorical significance is conveyed, if by “mechanism” one means a cognitive score or Opening of the Mouth.  
Nor is there grasp of meaning; there is only the psychological effect that hearing a metaphorical utterance has on one’s feelings and attitudes. Call this the Emotive theory of metaphor, as in the Emotive theory of ethics.   


The Emotive view is hard to accept.  First, as Helmut Friedrich Lachenmann points out,  it implies that the only relevant difference between good metaphors and nonsense strings such as “Blue why procrastination the the when of after dumbwaiter dumbwaiter” is that for whatev
er reason, metaphors generate affect that word salad does not.  

Hellie states again ... 'Vanity'

Work on your shit.

IG says...I'm his new bitch...spending his new cash.  It's the same shit.  Walk a man in the Louboutin's Rick.  

Saturday, July 4, 2015

"To Be Sold To Be Let" for Voices. For Penny Arcade. Bil Smith Composer

"To Be Sold To Be Let" for Voices.  For Penny Arcade.  
Bil Smith Composer
The overwhelming majority of Laboratorie New Music composers' works thus far reproduced inscribe themselves in a syntactic stucturElist perspective created expressly for our ambitions. Indeed the creative effort in our works is principally brought to bear on the formal aspects of composition: sonic, consonantal, vocalic, rhythmic, graphic, prosodic and numerical constraints, structures and programs.

Score Template for "To Be Sold To Be Let"  Bil Smith 
Penny Arcade (born Susana Ventura, July 15, 1950), is an American performance artist, actress, and playwright based in NYC.
Ventura's long association with alternative performance began at age 17, when she performed with John Vaccaro's Playhouse of the Ridiculous, and appeared in the Jackie Curtis play Femme Fatale, followed by an appearance in the  Andy Warhol film, Women in Revolt. She traveled Europe during the 1970s, returning to New York in 1981, where she worked with many underground theatre artists, including Jack SmithCharles Ludlamand the Angels of Light. She co-starred with Quentin Crisp in the long-running performance/interview piece, The Last Will and Testament of Quentin Crisp.

As Penny Arcade, she has been performing her own monologues since 1985, mostly in New York. In the late 1980s she created a character named Margo Howard-Howard, a 50-year-old drag queen with a scandalous past, for her performances. The NY Times refers to the character as "patently unbelievable", but in a later article acknowledges that her monologue was "based on real Lower East Side residents." Howard-Howard received an obituary in The Village Voice.

The Village Gate Sign on the corner of Thompson and Bleecker streets, January 2006
In the 1990s she toured internationally with her most popular show, Bitch! Dyke! Faghag! Whore!, which, like much of her work, was an opinionated commentary on sexuality and censorship; it featured a chorus of amateur reverse strippers. In 1998 she performed at the first Gay Shame event (as opposed to gay pride) at DUMBA in Brooklyn she appears in the documentary film of the event by Scott Berry, entitled Gay Shame '98. Her 2002 performance New York Values, which also toured abroad, addressed the loss of cultural identity in New York during the Giuliani years. 

The famousVillage Gate marquee in New York is still adorned with her name and the title of her performance piece, although the nightclub no longer exists.

Arcade is a co-founder of the Lower East Side Biography Project, a video production and oral history workshop that trains participants in documentary filmmaking and preserves the stories of Lower Manhattan artists and activists. Recently profiled individuals have included Herbert HunckeJayne County, and Marty Matz, among others.

In 2002 Arcade ran for the New York State Assembly as a candidate of the Green Party. She received 1,054 votes out of 32,976 in the 74th Assembly district, losing to incumbent and anti-rent control advocate Steven Sanders.

In January 2011 Arcade had an on stage spat with notorious performance artist Ann Liv Young who was in guise as her alter ego Sherry.

In 2012 Arcade took up residence at London's Arcola Theatre for a run of her show "Bitch! Dyke! Faghag! Whore!"

Pharrell and Tori at Darmstadt. IMD Darmstadt Summer Music Course 2014...The Video...Caution: It's tonal. Be Happy!

Herr Pharrell and Herr Thomas Schäfer

United Life Church Monastery Minister + Actress,
Tori Spelling at Jugendstilbad Darmstadt, August, 2014
My neighbor in (Tribeca) New York, Pharrell, rocks "Happy" in Darmstadt, 2014 at the IMD Summer Courses.  

If you have been to the IMD Summer Music Courses in Darmstadt, you will appreciate this video.  Maybe Thomas Schäfer programs him in 2016.  


Caution:  It's tonal.  Be happy