Sunday, April 28, 2019
Friday, April 19, 2019
Monday, April 8, 2019
"The Most Widely Sold Elixir In Our Pharmacopoeia Of Expectations For The Poor". The Score
"The Most Widely Sold Elixir In Our Pharmacopoeia Of Expectations For The Poor"
For oboe, bass flute and bassoon
Bil Smith Composer
2012-2016
The Full Score Link:
https://drive.google.com/file/d/0ByXT8veODB_TbzY2RWFsZUwwVWs/view?usp=sharing
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Score Excerpt |
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Score Excerpt |
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Score Excerpt |
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Score Excerpt |
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Score Excerpt |
"The Extended Flautist" Techniques, technologies and performer perceptions in music for flute and electronics . By Jean Penny
Sunday, April 7, 2019
Disruptive New Instruments at Laboratorie New Music
Eva Kingma Contrabass Flute Coming To Laboratorie New Music in January, 2016 |
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Benedikt Eppelsheim Piccolo Saxophone |
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Thomas Inderbinen's Tricky. One of LNM's Current Portfolio Instruments |
In addition, we announced the acquisition of the Eva Kingma Contrabass Flute.
Even more exciting are discussions about a special new project with Eva...one that will create a new Ultra Sub-Contrabass Flute; A new instrument which will redefine the lowest spectrum of the instrument.
More to come...
"Thrones De Los Cantares". A Micro-Opera. The New Recording
"Thrones De Los Cantares" (A Micro-Opera)
for 27 Voices (inclusive of Coloratura Soprano, Lyric Soprano, Heldentenor, Contralto, Baryton-Noble, Basso Buffo, Dugazon Soprano), Grapheticist*, and Chamber Ensemble. (Synthesis by Transient Drawing and Particle Cloning).

As such, it can be divided into two areas, visual graphetics and mechanical graphetics, which are analogous to auditory and articulatory phonetics, respectively. Both printed and handwritten language can be the subject of graphetic study.
The recording:
Every semiotic segment produced by the contemporary composer must meet and match innumerable other semiotic segments in order to form the combinatory frame of the sonic commodity, musico-capital.
Musico-capital puts neuro-psychic energies to work, submitting them to mechanistic speed, compelling cognitive activity to follow the rhythm of networked performance. As a result, the emotional sphere linked with aural comprehension is stressed to its limit.
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