"The Paranormal Detective Agency's Guide To Modern Physics" embodies a plethora of complex musical concepts and intricate notational structures. My goal for this work, composed for the viola, is to exude a sense of otherworldly energy and a heightened sense of mystery that is both awe-inspiring and eerie.
The composition employs a highly developed notational palette that incorporates fissures, fragmentation, and semicollapsed geometric transformations, which pivot and rotate. The visual landscape of the score is both complex and multifaceted, with each element interacting in a unique and intricate manner, creating a complex and layered soundscape that is both immersive and mesmerizing.
The score is in the midst of a metamorphosis, caught in the process of becoming something else. The composer's vision is to create a piece that defies conventional music theory and notation, incorporating a multitude of unique concepts and techniques that push the boundaries notation.
As a composer, I define myself as someone in total opposition. I believe that resistance is autonomy, and that it is the raison d'etre for my existence as a composer. It is fundamental to my work and is the driving force behind my compositional endeavors.
The use of fissures and fragmentation in the score creates a sense of fragmentation and disorientation, with the performer jumping from one section of the score to another, creating a sense of chaos and disorder. The semicollapsed geometric transformations add another layer of complexity, with the notes and symbols appearing to pivot and rotate around each other in a dizzying display.
Despite its complexity, the piece is incredibly engaging and captivating, albeit it is also an extreme extension of systemization and depersonalization incorporating a range of techniques and elements that create a sense of dematerialization, a seductive effacing of architectural boundaries, and of the surfaces rendered so emphatically present that defines the viola in an abstract, extreme persona.
The discreet allusiveness gives way to the linear evocations of perspectival recession, generating the feeling of an empty space mirroring itself to infinity.