Saturday, May 7, 2016

New Recording of "Anthology of Irritations"


New Recording of "Anthology of Irritations" 
(2004) 
Bil Smith Composer
For Ensemble Manifeq 1, Mandolin, Steel Guitar, Electric Guitar, 4 Violins (sequestered off stage), and Predictive Analytic Sound Motation Program (Apple).
Premiered at "Klingenfantastisch", Dusseldorf, 2005. 
This new recording from a performance at Myeongin Hall, Sori Arts Center, Jeonju, South Korea, April, 2013.

Recording available for a limited time on SoundCloud:



Thursday, May 5, 2016

"Tearin' It Up". For Chaka Khan...And For Ray Copeland and My Dad.



Chaka


Score Excerpt "Tearin' It Up" for CK

As a kid, and a lead trumpet player, I had an amazing experience with a brilliant teacher in Ray Copeland, an infectiously wonderful human being who inspired and offered spiritual, practical and musical guidance.  Ray played with Thelonious Monk amongst others.  
Ray did a clinic at my high school, Wayne Hills (NJ) and he met my dad, who while an aeronautical engineer, immediately hit it off with Ray.

Ray Copeland
About the same time I also met Thad Jones whom while at met at 17 years old, I had the unimaginable opportunity to play with him and the Thad Jones/Mel Lewis Orchestra at the Village Vanguard in NYC.  

While the band, at the time, was annually ranked as the top big band in both the Down Beat Readers and Critics poll, the irony is that we all were paid $35 for the evenings' performance and we only performed together once a week.  I also had the unique opportunity to introduce my dad, the engineer, to Thad.  

Over a scotch or two they bonded as well...amazingly well.

The interesting twist is that Ray ended up teaching at Berklee College of Music which I attended and Ray knew everyone. He introduced me to Chaka Khan, whom at 20, I auditioned for her band and went on tour with her.  

Chaka had an affinity to identify the best and brightest talent and the opportunity to play with her band was transformational.  Chaka connected with every musical corner of the world from the AACM to Stockhausen.

So, I simply wrote this work as a thought...a memory...and a thank you.  

This is a work in progress.  


Wednesday, May 4, 2016

CAR-T Therapy for String Quartet. Bil Smith Composer

CAR-T Therapy for String Quartet
CAR-T (Chimeric Antigen Receptor) Cell Therapy.  
For String Quartet
Bil Smith Composer
2014-2015

Publication, LNM Editions.
October, 2015

A Commission from Coloplast AB



"New Tablatures: Why Five Lines?" Lecture at University of Texas, Austin.



"New Tablatures: Why Five Lines?"  Lecture at University of Texas, Austin.

Intuitively, these definitions (notes distinguished in a useful manner) all make sense, but does the evacuated or unmarked notation at issue in the present collection put enough pressure on the concept to open some fissures in this tiny surface, revealing it to be far less stable than the typically unexamined use implies.


I am not interested in policing the music's usage in any way (it is mine), but I do want to call attention to some of the assumptions that attend it.

- Bil Smith Composer








"Rigid Designator " 

"One that denotes the same thing in all possible worlds; or in all possible (assailable) worlds in which content exists."
In the case of the blank measures; "Compensatory Time/Notational Lengthening"

- Bil Smith Composer







"Compositional Multimodality"

... in the broadest sense, composition which contain a multitude of semiotic modes. Multimodal scores call for new systems of analysis proficient in realizing and describing the rapport between expressive modes." 


"I am thrown back to the way/ways in which notation is used as quantifiers of information and activity, entities to be weighed and sorted."-- Bil Smith Composer



Sunday, May 1, 2016