Part Three: Provocations From The Composers of Laboratorie New Music

Provocations From The Composers of Laboratorie New Music

Score Excerpt

Score Excerpt

Score Excerpt

Score Excerpt

Score Excerpt

Score Excerpt

Score Excerpt; "Explorer, Producer..." For String Quartet

Score Excerpt; "Explorer, Producer..." For String Quartet

Score Excerpt; "Explorer, Producer..." For String Quartet

Score Excerpt; "Explorer, Producer..." For String Quartet

Score Excerpt; "Explorer, Producer..." For String Quartet

Score Excerpt

Score Excerpt

Score Excerpt

Score Excerpt

"The New LNM Website - Experiments in The Laboratorie"

The Home Page

Laboratorie New Music will be revising it's site within the upcoming weeks.  One of the sections of the site will include a gallery of images chronicling the various steps we take to develop, permutate and modify our compositional processes.

A separate section devoted to WET (Words, Events, Texts) scores.

Here is a sneak peek at some of the images in the 'Experiments' section.

Métropolis, April 6. Montreal. "Into The Room" with Jessie J.

Métropolis, April 6.  Montreal.  "Into The Room" with Jessie J.

On Soundcloud:

https://soundcloud.com/bil-smith/into-the-room-bang-bang

The trajectory of music should be avoided in the philosophy of science, with special reference to the way that van Fraassen sets up the difference between compositional realism and constructive empiricism.

What counts as success in music as such is emblematic/unsatisfactoy. This compositional framefront concludes by showing what may be profitably monetized replaced with, namely specific claims concerning qualitative compositional beliefs and pretenses that fall into the following categories: descriptive, evaluative, normative, and definitional.

"JTF2" for Tuba or Bass

"JTF2" for Tuba or Bass