"Propaganda Fly" for B Flat Trumpet; The Jubal Project and Multimodality in Composition
"Propaganda Fly" for B Flat Trumpet
A Jubal Project Composition
Bil Smith Composer
Score: 32" X 12"
As I have written in the past, "The Jubal Project" is an ambitious endeavor that aims to revolutionize music notation by using the circle as a central symbol. By utilizing the circle as a universal symbol, I hope to create a notation system that can oscillate between indexical registrations, symbols of forces in flux, and sensory stimuli, providing a continuous, self-vibrating region of intensities that avoids any orientation towards a culmination point or external end.
One of the key features of this notational archetype is its ability to yield aftereffects that empower the composer and performer, allowing for multiple transformations and variants of sound creation.
The philosophy behind the Jubal project is the theme of multimodality. Multimodality is the coexistence of multiple semiotic modes within a given context. Semiotic modes refer to the different ways in which meaning is created and conveyed, such as language, images, sounds, gestures, and movement.
Multimodality is an everyday reality as we experience the world through multiple senses and modes of communication. The rise of digital technologies has led to an increase in multimodal products, such as hyperfiction, digital books, and music compositions that incorporate various modes of expression. The twenty-first century can be seen as a quintessentially multimodal era, making the implementation of multimodality in composition even more urgent and relevant. Although the practice of multimodality has been long-standing, the field of multimodality composition archetypes is still at an early stage of development.