Phrases About Musical Concept Art. Johannes Kreidler.

Phrases About Musical Concept Art

Johannes Kreidler

1. A concept piece is Determined by a trenchant idea.

2. The idea is a machine did Produces the work of art.

The Process Should Have No Necessary intervention, He should its

own course take (LeWitt 1967/69).

3. The concept system today is Especially the algorithm.

4. The processing material the machine today is the total

Archive.

5. Details, rhetorical devices and formal design are

Mostly just adequate in the form of ready-mades or by

Random Number Generator.

6. For each work of art That is Performed physically, there

many unexecuted variants (LeWitt 1969).

7. The sensitive appearance is only one aspect of the work,

can be granted to the more or less value.

8. Each piece of new music has conceptual shares (Spahlinger

2009).

9. Not all ideas have to be Realized (LeWitt 1969).

10. From many different concept versions or pieces

but you can turn compose a detailed form.

Enrichment with jokes is so okay.

11. A trivial idea you can not through a beautiful or

Save expressive design. By contrast, it is difficult to

to bungle a good idea (LeWitt 1969).

12. A Good Idea but you can bungle by

beautiful or expressive design.

13. Ideas are the most expressive and most beautiful ever.

14. Improvisation is rare musical concept art, only

Not When the improvisation is good.

15. Musical Conceptualism is a kind of minimalism.

16. An idea is the smallest possible whole (Musil 1916).

17. The music does not have to be self-explanatory. Ander Medial

Admixtures (text, video, performance) need composer-conceptualists

Not Shy, They are even

Consistently articulate (no important information in

Hide program booklet).

18. Contact me nor to publish the smallest idea When

do you think That is something off about her. But put it in

a proportionate cost (not for A Little Idea

More than a small text).

19. A concept piece of music to be not quite belong.

20. Only That Music is new music, When asked the question

Whether it is is at all is music (Spahlinger

1992).

21. The unmusical, the better.

22. In conceptualizing the contextualization follows

(Weibel 1993).

23. No concept without conceptualism.

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Beginning in 2012, composers at Laboratorie New Music have been working on modifications of the Circos program to create a systematic, fluid tablature system to facilitate compositional structure.  

The notion to explore this powerful visualization tool came about from a separate study we were conducting on the implications of 'Big Data'.



The potential of big data is immense.  Eliminate constraints on the size, type, source and complexity of relevant data, and composers can ask bolder questions.

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Technology limitations that once required sampling or relied on assumptions to simplify high-density data sets have fallen to the march of technology. 

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Page from the Score of "Explorer, Producer, Stoic, After Your Fashion" for String Quartet.  Acetate, plexiglass, zinc powder, oil, mica, oil pen and combustion.